Wednesday, February 24, 2021

Site optimization


 I'm working for a barn building company out here in Lancaster, the best company of the bunch. They're Amish. The Amish call themselves plain folk. I love their way of life, and they work very hard. I was concerned the first time I worked with them that I would not be able to sustain more than a few days at a time of the work, so I expressed some flakiness when I returned from building a pole barn. 

I shoveled snow with a man who does parking garage restoration. After the snow, I did some concrete chipping. I used a chipping gun and we were indoors working under a garage in a boiler room, my coworker and I. We worked around scaffolding and wore respirators, and goggles, and ear protection. It was even more difficult than the barn work, and I kept the schedule spotty by acting flaky with that boss too. 

Both companies like me and want to keep me on, despite my lack of experience. The barn builders put me in the office once a week to optimize their website and advertise across social platforms. I am glad to do this because it is a skill I could utilize for my own promotions, of the art I supposedly make. 

The paintings come so slow nowadays, because I'm painting from my head maybe, or maybe because I'm working all the time it feels like. I'm expanding my life and it feels like it every day. I split my time up and there's usually none left. When the light of the tunnel seems near, something pops up- often an unanticipated expense, and I become motivated to work for the company hourly rate. 

I lost money in the stock market, but it should go back up, and I should adjust my exposure. 

I meant for this post to be about some site optimization, to drop in some words that would generate flow into my website, but now I realize it would generate into the blog only, not lead to my website. I should put the site in the header of the blog. 

2019 taxes hit me hard because I worked five months full days on a 1099, which is supposed to be illegal but in Philadelphia if you're not running a scam, there's no way to make money. Lew Blum towing in Philly ran into trouble because they just started impounding cars that weren't illegally parked, to scam money out of people. Now, the city has reacted; tow companies must wait for a car to be ticketed before they can tow. The result is that tow companies call the cops, and the cops don't bother to come out. If cops do come out, of course their ticket means they get some revenue off the car themselves. Terrible city. Glad to be gone. 

I secured two mural walls in Lancaster, neither paid, but both pretty close to Heather and I's apartment. 

The snow which sat for two months mostly melted off today, and I have my study done for one of the walls, which came with super clear instructions from the business owner. It'll be an underwater scene; something I've prepared for for a while, but in loose terms. Time to make a tight-ish drawing I think. 

The other wall the owner just wants me to do something better than what's on there now, which is a freight train looking piece of graffiti. So I'll do something beautiful and rhythmic, which is good because I have a wall like that in Philly, and it'll be good to reinforce that look for my portfolio.   

Unpaid walls often lead to paid ones, and I like Lancaster too. It'll be good to have a little representation in this town, and if we stay in it, maybe I can begin to conquer it like my friend Shaun Thurston did Jacksonville, Florida. When I remarked; "boy Shaun's work is really what Jacksonville looks like isn't it?" some critical friends remarked "well, he kind of forced it on them", which, that's fair, but over time his work will hold, and theirs will be at the mercy of trends, so my allegiances go to Shaun, and the crew that speaks clearly with their art. 







Tuesday, January 26, 2021

Painting outdoors again!



 Our dog Hugo is settling in nicely. We have taken him to a puppy manners class once, and his next class is tomorrow night. 

Heather surprised me this Saturday with the perfect date proposal; that we go to a park where I paint outdoors while she runs with the dog. I felt like Nabokov, who was known to ride in the back seat of a station wagon while his wife drove. They were interested in America's varieties of butterflies and they would travel to see them. Nabokov in the back would work on his books. Hugo and Heather frolicking around, I got back into the swing of painting outdoors; something that is so enrapturing yet moot feeling while you're not in it- like meditation. I had fun and made a painting of a field of clumpy grasses on a sunny but cold winter day. 




The next day I went out too; this time just Hugo and I and it was a much more overcast day, and I sat an made another painting- this time of a similar field but with a foreground birdhouse as the subject, with an echoing birdhouse in the distance too. Indeed I was reminding myself of Andrew Wyeth a little with this composition, but I didn't let it bother me too much. 



The night of the second painting, I went out to the graveyard, since Hugo was displaying that he had plenty more energy, and I took my acrylic gouache paints along- a faster and cleaner medium- and made another painting- one of tombstones and trees and columns. I took that painting home but didn't like it very much. Maybe the pleinair thing had seen its use for me then. I got sick that night from the turpentine smell in the house, which still persists; and I put the paintings in a closet to try to have a better night tonight. 


Hugo is a good painting dog companion. Unwittingly I have been informally training him by taking him out to paint plein air. The first time he was entertained by Heather, the second time he split his time between entertaining himself looking for birds and annoying me a little by stepping in paint, and eating a little bit of it, then licking himself to get it off his tongue (I tried to keep him out of it, okay?), staining his white fur permanent rose; (what was I thinking painting an overcast day with that color anyway?). My palette that day was permanent rose, titanium white, yellow ochre, pthalo blue, and black- a very 'fast' palette. 

The third painting session in the graveyard went well with the acrylic paints, even though I didn't like the painting. 


Today I worked for the Amish, helping the barn builders with updating their website. After work, I came home and knew I had to get a painting done lest I lose the streak.  I also feel hot to work on my website after I optimize and hook up the Amish one all day. So I worked on my site a little, then Hugo made it clear he needed to run, so I took the failed acrylic painting back to the graveyard this time with oil paints, and did another failed attempt. Tonight was much cloudier and the sky was orange due to city lights. the painting flipped from a cold scheme to a warm, and my blast over only half covered the surface resulting in a half cold half warm monstrosity. The thing I am writing on about though is that Hugo was a pretty good dog except he started DIGGING in the graveyard at night when I was painting. He was close, so I could stop him, and we were at least on a trail instead of atop a gravesite, but Jesus Pete!


The good thing is when he wasn't digging, he would sit neatly next to me and wait, then, bored, would spring back into a full run out and away in a big exploratory circle, before coming back to my side to sit by me again. "Why are we sitting quiet?" he seemed to wonder, then I think he totally got it- "we're hunting!"

Saturday, January 2, 2021

We Got A dog and it seems like we’re living Seven times faster.

 Been a while. 


Heather and I moved out to Lancaster, PA, which is out in the country kind of. It’s an old town, about as old as Philadelphia, and that it did not take off like philly did makes it a bastion kind of. IDK, I’m a little conflicted about how we’re at once out in the country, yet our front door, street level apartment is in kind of a ghetto. It’s a little hoody because of the broken windows and trash everywhere. There’s chicken bones around and not much greenery. 


Heather and I bought a dog, but I’m getting ahead of myself. 


I did some brick pointing work in Philly and finished a mural I’d been working on for Jon, and also some drywall work, and regrettably I also did some logistics work doing phone organizing for dispatching tow trucks. That was a handful of long days and nights; no sleep basically, and I have yet to get paid for it.


She quit her job to come out here. I weened off of my freelance clients with a few thousand in savings. We grocery shopped and nestled in. Her job stopped all at once when one morning she learned that her roommate had worked with someone that had tested positive for COVID-19, so she packed a quick bag and left her classroom of seven year olds, and came out to live at the apartment I’d arranged for us both. I proposed to her on a boardwalk in a swampy section of a park in Cape Cod probably two weeks prior. The rings were made by one of our mutual friends out in Texas who was a silversmith. Unemployed, we developed a regimen of cleaning and fixing up the new place. 


A couple months in to this routine and we ended up getting a dog, but I’m getting ahead of myself. 


I went on Craigslist and found some job leads. I almost had one doing construction but my schedule with the moving was still a little erratic. We bought Heather a car, which was a little Honda Fit bursting with personality. I insured it in my name, and still feel a little underleveraged as a result. Heather went the more professional route and went on indeed.com, where she found a job talking care of elderly Mennonites with Alzheimer’s and dementia in an assisted living home. I’m very very very proud of her for seeking out this work. She is in the middle of some preliminary medical tests (for TB, immunizations, etc.) to clear for the job she will begin on the 7th of this month. 


I found a job on craigslist titled ‘Driver/Carpenter needed’, which turned out to be an Amish barn building company. Groffdale Barns it was called. I interviewed in person with Moses and Jake, a father and son, and filled out a resume form by hand in their office. I’d had a dream of this interview about a few days before it happened, and my vision was not far off, and tied in with the office style of my uncle’s, who owned and managed a lumber yard. I got a call a few days later, (the Amish have been really proactive I’ve found, because there is a lot of work to be done, and they can use the help they can get), and agreed to meet them at 4am to drive a crew down to Virginia. We finished the construction of a pole barn that had been started the prior weekend. I drove the large truck towing a forty foot trailer loaded with barn siding. I had no qualifications, but the barn company instilled a ton of trust in me anyways. I want to go back to doing it. It was very intense and I assert that I was difficult to live with upon my return from the two day trip; whose itinerary was a strict sun up to sun down work arrangement- very fun. we finished the barn and what I think I learned was that there’s no need for pleases and thank you’s on the job site, just shout the measurements you need, your partner will cut them and hand them to you, and just nail it in and on to the next and so on. Lunches and dinners with the Amish were quiet. Perhaps it was me, guiding the quietness, but I thought this silence was an interesting part of the work, and I’ve always subscribed to the say less philosophy. So I came home a little off I suppose. 


I asked for more time off than on with the Amish, and they called me just to drive them around after that, which was good. I stayed on Craigslist a little and found a snow shoveling job for $27 and hour, and I jumped at it. My hours were 12am to 4pm next day. I weaseled my way in with the boss, Fred, and hopped job sites with him. His wife does the billing and he likes to hunt. I noticed a bloodhound dog on his phone screen, and we bonded over the ownership of dogs. 


Heather and I somewhere in the enlightened stupor of unemployment got really involved in looking for a dog companion. We filled out (mostly Heather did) a bunch of applications to shelters fo specific rescue dogs, but the shelters all had long waits, or they didn’t get back to us at all, and or they wanted to call our landlords and get references to back us up that we were good people, incomes, socials, everything. Are there dogs that need homes or what? Is this some boutique process? Anyway, contrast this to when we actually were ready to pull the trigger, and we began looking up puppy sellers. Heather found a batch of German Shorthair Pointers and zombielike one morning (that night I had a dream of not being ready, so when I woke up I thought to say no, but couldn’t bring up the words, so in the morning I just took up an attitude like ‘we shall see’), we went and bought a dog. There were two left and we got the one who was a thinker. Little philosopher pup. He was a almost four months old, so we got a $400 discount, making his total about $900 out of $1300. He’s a good guy. He came with the name Gus, and immediately (I was terrified) I tried to alert Heather with the amount of exercise these GSPs need. We took him straight to a park!


Gus became Hugo within a couple days. We changed his name to Hugo, which is the name of my late grandfather, my mom’s mom’s second husband. 


My grandpa Hugo was a Dutch man, master craftsman, master model train artist. 


The new dog is our wonder child. He’s changed our lives so much, in that we have more purpose and we go to all these different parks and trails all the time now. He’s our excuse to explore and I think my studio work is in the beginning stages of responding to the data I’m being exposed to through our outings. 


That might be about it. We’re working on him, and working on our selves, and our relationship. We went to Florida and back this Christmas. Heather got to meet my family including Donna and Ricky, Pam, Cami, Joshua, mom, dad, and Grammy. Grammy expressed that it might be her last Christmas, and I knew I wasn’t going to find another partner like Heather, and that this would really be it, so we went down. My car is now in poor shape, and we spent some money on hotels in order to do some nice trails in Georgia and Virginia on the way back up. 


I got a few phone calls down in Florida. One from the Amish wanting me to drive for their lawn care business three days a week- they said I didn’t even have to work, just drive. I think I want to do this becasue the Amish work on such beautiful properties, and my dilemma is that I don’t pleinair paint when I’m out on those types of scenes. Another was from Fred about payment. I helped Fred a couple more times on a Parking garage which he’s in the business of restoring. My complex that I have no business being on some of these work sites is fading. Entry level workers who aren’t wastiods are hard to come by. Fred wants me part time, and so do the Amish landscapers. The barn builders said they would take me anytime because they were thrilled with my work with them too. I’m just trying to find that balance where I can work without damaging my body so I can paint and live a long painting life. Secretly I think there’s always time, and painting time is always time stolen. So I’m trying to figure out which job to get in with, and if I can balance any; plus the new dog means we’ll either have to do daycare or figure something out for separation anxiety, or I don’t know, because Heather will soon start a pretty full time thing. All in all I’m happy, and I’m glad I took the steps I did in my life, to be comfortable with making the decisions that fulfill me.


My thinking on my painting is that all of my half-baked stuff needs to come to a more full realization than the made-for-market stuff I’ve pumped out in the past year or so. The day job makes it so that I can live while I work on these to their fullest. The fact is I didn’t bridge the gap yet, the gap I imagined crossable with a good portfolio, the door to a gallery representation where I just paint and be sold. I’m chronically at step one, albeit with a small collector base which I don’t wish to mobilize too often. 


I’m working on some pain staking acrylic compositions on panel from pencil drawings that are finding their way towards completion. I hate blending, so my goal is to work them until there is no choice but to either blend, or to which their hard edges subdivide in their half tones yielding a soft edge, real or perceived. Oil glazing in a final stage would be ideal, as would a very flat and graphic painting. Before the goop squad of oil painters, there was a thin technique that was so professional- just the image. 



I’ve got a bunch of collages in the works, though I largely ignore them because they were so much work just to get them where they are- and they’re unmarketable and there’s hundreds of them. 


My digital paintings have some hope, and the actually get done. Knowing how to finish paintings is a blessing, but knowing you can postpone a finish in exchange for the hope of transcendence is alluring too. Anyway, I feel that I still need to get over the unique artist stuff so I can make responsible paintings that say something, like those of Thomas Hart Benton, or all those unnamed outdoors art illustrators that do the paintings of fish underwater, or pointing dogs, or bucks. 


So that’s the project at hand, and we’re working towards it. 


Ps, I want to write a book about my art education. I would like to draw from Maggie Nelson’s argonauts format, along with some Eric Hoffer Working and Thinking, some Ham on Rye I suppose, and some Fun Home/ graphic novel stuff. Lots to chew on. My earliest biggest influence is still Jim Woodring. 

Wednesday, October 14, 2020

Heather

 Heather I choose to be my life partner for as long as I can foresee. Nothing much to say on that. 


I’ve been hiding my tendency toward conservatism, treating what exposures I allowed myself to these ideas as merely treats along the side of the narrow path of article after book after lecture of whatever is being sold on the left. My thoughts summarized are that the dialogues on the left move faster than the rate of processing and dissemination, such that to enter their rank is like entering a pyramid scheme of a bogus product, and the only way to climb up is though hooking underlings into disseminating your curated regurgitations. Clout is gained without primary texts or exchange of ideas, rather the left project the darknesses within onto others in pseudo backpack rap battles, where to cleverly twist a riddle is enough to move on. If they lose, they move on, no recourse. That’s where I stand on that, but I still read mostly leftist stuff, to continue to investigate; ‘maybe it just hasn’t clicked yet, I think over time’, but most claims  apart from stuff like the history of workers movements as documented by Howard Zinn don’t hit home, and remain unsubstantiated: and even then, what’s happened in my lifetime in regards to labor movements, (or corporate endorsed revolutions- an if it goes slippery it can be blamed on nazis in the midsts, or whatever, and the solution always seems to be more government control), contextualizes the Zinn, the spin. What’s happening to the American politic, if you permit yourself to see falsities like the electoral processes, and the mock-attempted grilling of for example the new Supreme Court nominee Amy Coney Barrett on issues irrelevant to her prospective job, including asking her whether she has sexually assaulted anyone, or been assaulted herself; very unprofessional, and yet, it flies, you might alleviate yourself from further entanglement, and therefrom entanglement altogether (I hope). 


Okay enough vitriol; it might have been a mistake enrolling in a political illustration class with Steve Brodner a few years ago. I thought this would be a place of nuance, but how wrong I was. It was 2017 and all that was being turned in were trump-pig caricatures, and our zoom meetings became anti-trump sessions. I tried to keep current and considered ‘perhaps i should feign outrage as my classmates’. But never could. I drifted further from the left, and now I’m one of those 30 year old chumps who watches politics like sports. Bummer. 


Studio life is going well, somewhat. I worked a lot over the last few months, thinking I was building. A nest egg. Yet, some life expenses pressed into my accounts; girlfriend I will mention because I currently commute an hour and a half to see her. My rent is $600 a month. I bought a used car a few months back when My grandmother’s old Oldsmobile shit the bed. I joked I wanted a Subaru to get laid with, knowing full well I also intentioned to hopefully settle as well. See, I moved to the country and got into the Youtuber Ryan Dawson, who’s among other things anti-left and anti-war and anti-neo-conservative. So through him I was turned onto Ted K, the unabomber, and thankfully instead of being recommended any documentary or spun story on him, I printed out a copy of his manifesto, which succinctly outlines the strategies, motivations, and hippocracy of the left, further sobering me of this poison. From there I felt also remedied of what had disrupted my relationship with my self and somewhat riddled my relationships. 

It’s very grounding. 

This is not to say that this was the only thing keeping me from a Healthy relationship. Truly, the dating scene is replete with ill-willed stock. My hope with Heather is to nourish her true beauty and absolve her from the tribulations of a likewise poisoned dating scene. She’s too good for that and I want her to thrive thrive thrive. She shows the right instincts- to help others, and to live away from the city. Her stance early on about children was to not have them, but when I showed my cards that I’d turned that page and would have them in time (I’d one week prior emailed an old classmate of mine to tell her I was still in for the promise of siring her kids, to which she replied amicably, though now she was happier as a lesbian; even better, I thought; I’d just re-read some of The Argonauts), she likewise showed her hand that yes she also wanted them. She wants mine. I want hers. I found a true friend in Heather; and amalgam of former lovers, friends, family, she is my world truly, and the experience of falling is one I savor and cherish.  


So we are moving to Lancaster. So far away from the city, and far enough away from her family as to facilitate the fall, to celebrate the fall. I threw money at an apartment, and I’ll move there first, then she’ll follow in a month or two. I’ve met her family and she’ll meet mine in short time. I will propose to her soon. 


So that’s where I’m at. 


Oh yeah, studio life! I’m painting much closer to the heart now. I painted cover paintings of Thomas Chambers compositions and two of those from Foster Cadell, and then made a dozen and a half small acrylic-gouache paintings of photo-based landscapes on panel. I sold three of these at an art yard sale, and am having a few others professionally framed for $30 apiece, from where they will go to an upscale farmer’s style marketplace near West Chester for the holiday season. This placement affords me the peace of mind to embark on more personal work, and now my day-job stuff is relaxing a bit as we approach our deadline of their (the Mezzanotte family’s) daughter’s wedding date. 


I want to complete the paintings I’ve started now for a show in American Mortals Hair salon in Philadelphia, by December. The world I’m building is one of funky landscapes haunted by graffiti, and otherwise unrequited shapes. I guess another way to put it is this; a return to nature having tried to fit my square-peg-self into a round hole template. The dissonance upon interfacing with that which only takes; speaking of technology and the culture it has spawned. Perhaps then this work is that of healing.

I live in a guy’s house now. He’s the lover of a woman who is cheating on her spouse. It’s a strange house where the parts disparately grasp at wholeness without attainment. Set on a trapezoidal lot, it is comprised of additive decks, sunrooms, patios, and the like. I stay in my room and have not unpacked my boxes since my three months of living here. I cook very little as to not over use the kitchen. 

Heather too lives in an intermediary place. She lives in the basement of her employers, albeit a nice-i-fied basement- one that’s built to resemble a livable space for passive income for the homeowners. Like a serf, she takes care of their kids for money, which she dutifully pays back to the employers to the tune of $1000 per month. She teaches a classroom of five kids- a’la pod learning, post COVID-19. 


So the Lancaster apartment for both of us represents a celebration of our love and a step away from our employments. We might keep our jobs, and thus commute, but hopefully also we will, in time, optimize even our work closer to our living spot. Better food, better living conditions, and an exploration of our love and symbiosis. Rent will be $1200 divided between the two of us. Electric and gas will go up, and Internet, while food will likely go down. Incomes I hope will trend sideways then up. Can’t wait. 


Wednesday, May 6, 2020

New Job, and Studio work

I finished my England journal’s first draft. This was complicated because I’d forgotten the central part of my trip. I went to Bath twice, and Oxford twice, and in two weeks time I’d gone in and out out those towns and to Wales and had several misfires on adventures I’d poorly planned, so the central part was confusing. Perhaps, this then was the truest part of my trip, where I was lost in it, and I drew pictures but didn’t write anything down.

I carried a guilt that I was traveling like an idiot. I wish I could quell this insecurity because it riddles me when I’m on a trip with a return date, maybe that was the problem, it felt like a sentence. Regardless, the dividends are coming in, even though I’d read books prior, they did very little to inform what I saw and thus the vague wash proved to be the substance of the trip. Indeed England is in a peculiar type of stasis- a purgatorium of sorts- like their paintings convey. More questions than answers, but my painting has changed, and my tastes broadened.

From Florida, I came back to Philly, and the COVID 19 lockdowns became the theme. I hunkered like the best of them, and cut ties with my antiques store job, which I saw as grossly exploitative (old rich as it may seem, it’s yet another parallel language of idle fart sniffers, though historically somewhat interesting sometimes.) 

I applied to lots of mural open calls; got into the final round of one, which I’m now designing for. The studio time is split between mural design, a large dining room painting commission, three landscape paintings for a show in an office building, and a slammed sketchbook for a show in February of 2021.

I got a new job, which is the impetus for this blog entry. I’m working as a security guard for a regional Walmart. I enjoy the job. It is a lot like lifeguarding, which I did from age 17-22. Not too hard on the body, $14 and hour, and mostly de-escalation, which so far I seem built for. I love to stand and watch, and help out when I can (it seems Walmart is a pretty informal workplace, where the Walmart employees are okay with an outside contractor, me, to help customers with top shelf item- grabbing a ladder, and back-of-the-warehouse product location, etc.). The radio chatter at Walmart is overwhelmingly friendly, and there is a good rapport among the workers and managers. I love the vantage point of a security guard at a Walmart in relation to being an artist.

Yesterday a shoplifter pulled a knife on a colleague. I hope I do not get stabbed. Often the Walmart employees are bad at de-escalating, and they rile up the customers who are like little ticking bombs. I think I’m a good fit for approaching these situations and listening and resolving issues. This job is more nuanced than those jobs that wouldn’t have me; a administrator, a tour guide, a sales manager. A job that would have me is one in luck. I am a good worker. I sure hope I don’t get stabbed.





Wednesday, February 26, 2020

I’ll do the rest of England Later. Here’s my two months in Florida.

Somehow  i;m going to try to encompass from when I left England to now. Things are complicated, but now less so. Life feels like a constant hacking through deep woods, like those jungle scenes in movies. I was paralyzed from my involvements with people, namely my family and friends who, while in close proximity to them, I retained a cordiality. I’ve learned through this blog to hold my tongue, at least until the car has made it out of town. I don’t have beef with anyone, just, I’m thinking, and sometimes people can take things so personally, and I don’t know. 

Landed in Orlando on the 20th of December, England was supposed to have left the EU, but they extended again. Now since, they have put a nail in that coffin, so it seems moot. My mom picked me up from Tampa I think. I’d taken an uber to a greyhound, and a greyhound to Tampa. I spent a couple nights in crystal river, before driving to Titusville with my dad one morning to pick up Grammy for Christmas celebrations. From there the three of us drove back to Crystal River, at least I think that’s how it worked out. Grammy spent a couple nights there, then we all went up to Panama City where my sister and her husband and two kids live. What I knew of Grammy was that she had an appetite for the dark, a few christmases ago she talked us through how she would commit suicide if she chose to, and emphasized that if she chose that, it would be her choice and that would be okay and not reflect on any of us. I knew that Grammy was having trouble periodically in her house in Titusville. While I studied in Philadelphia, periodically, I would get a call from my mom telling me Grammy had slept in the shower last night, or stuck on the toilet. On the way to Panama City, we were dealing with incontinence, and pulling over all the time, but it wasn’t so easy to get Grammy into these bathrooms from inside of a raised up truck. She’s good for about two outings, after that she has trouble getting up and walking. She was tired even before Christmas. 

Christmas came and went. Cami curated a Christmas for her two year old, and for her four year old, one they might remember in the deep heart. Otherwise, in our camp of my two parents and Grammy, and I, it was pretty dismal. It was cold and wet, cloudy; I got a big ugly fever, and a fever blister in my nose. I’d had fevers in England too, the world’s on fast forward and we’re pounding coffees and dreading the ends, breathing in polluted air strands that we formed, and some formed by parallel offenders, and I’m just saying this because I’ve had four fevers in the past six months. I prefer fevers to colds, because you can sweat them out, starve them, and generally feel very alive while battling them. I got a shirt and some candy, as I have every year for the past while. Grandma Donna was there too; the cast was mom, dad, Cami, Joshua, the two kids, me and Grandma Donna, and Grammy. Donna and Grammy stayed in their own condo on 1, and mom and dad and I stayed in one on the 8th floor. We drove Grammy back to her house after Christmas. Even though she had a rough time, she chalked it up to traveling, so we left her house.

I’d garnered this idea up that I would live in her house after she died. Her ex-husband had died, and his house was sold, even though it was really nice and on the Indian River. I would’ve loved to have lived there. I thought it was fitting in some way. I related to that old man, Ed, my dad’s dad. But the house was sold. I thought the difference was to be proactive on the next one. Artists are seeking out the opportunity for loaded silence. That’s why dreams are so special, like and orchard for paintings, the dreams grow and ideally can be ladled out into meaning through action, and paint, or dance or whatever. But the idea of living in Grammy’s house after she died, or perhaps even when she was around, would be choice I thought; a type of art residency. Well, since she was in poorer shape, I proposed my idea this Christmas, and pushed it a bit. 


Turns out, after Christmas, I was asked to live with her for a few days by my parents, and to take her to medical appointments. We wanted to figure out what was the cause of this lethargy. I obliged, and hoped to get to know her a little better- to see how she lived. I stayed in the guest bedroom and made friends with the cats I was allergic to. The stay was riddled with sneezing and tissue breaks. Grammy’s day to day was reading articles, and writing letters to pen pals. I was there simultaneously for her doctors appointments and for my art residency. It was a mess. I took her to her doctor, who couldn’t see her. It seemed like she was going to die within the week. I was instructed to go to the ER, and I did, and we were checking in, and checking her blood and I began to cry. They took her back, and I stayed for a while and I think she was having a UTI, among compounding diabetic problems. They stuck a long probe into her nose, twice to test for flu, a test I learned from my dad would earn the hospital $2000 from the insurance company, and wasn’t necessarily necessary. She stayed the night there for two or three nights. I did the thing of living in her house alone, but this was not how I pictured it. It never is. But in hindsight that’s how it will have been I guess. I ran errands for her; went to her reserved church luncheon and said goodbye to her friends on her behalf, something I did not anticipate doing, and returned her library books. We were closing up shop in Titusville. The drawing I thought I would do didn’t happen. I worked on digital paintings, and embarrassingly got distracted by cheap wine in can coolers. I took lots of pictures too. I picked her up from the hospital and lived with her for a few more days. Seeming stable again, I left back to Crystal River. I needed a shower and clothes. I thought it would be a two day trip or so, but the medical stuff kind of trapped me, and I stayed for 6 days. I drove back to Crystal River.



A couple days later she called us, admitting that she no longer felt fit to live alone. Years ago I remember seeing her with her dentures out. She put them back in; and I remember her saying staunchly that she was going to die in this house. And she pointed to the big crooked oak tree on her back patio, it was leaning towards her house, and she said “that’s the tree that’s going to kill me”, and gestured a falling motion and laughed. Well, since then she has assumed a different attitude; sometimes I perceive it as straight fear, fear of time running out. Within this fear I can see fire in her eyes, growing cold, I guess like icy lighting. 

I was on a reddit thread where EMTs were relating their professional stories, and they agreed on how arbitrary it is to accept or reject death, like some people freak out and others take it calmly, but that the variation could be seen within the same person had it been and hour prior or later it seemed to them. Like the experience was only good or bad depending on the person’s state of mind at the time, rather than relating to their lives lived as a whole. This rings so true to me, like my uncles death by cancer, how the cancer swirled inside of his guts like egg drop soup, amorphous. That’s life, organic stuff and cancer, mostly empty space with the chance meaning, chance object. 

I could be projecting. In my time with Grammy, and since this episode she has moved into my parent’s house, and then into her chosen assisted living home in Cedar Creek in Crystal River, and in my time cleaning out her house, I’ve leaned that she harbors secrets more closely than I anticipated, or her inner world. Perhaps she has erected walls, curated her personhood to me as grandson like how my sister curates Christmas for her kids. So often smart people want to talk about common denominators, instead of the spiney bits. Her drawers are full of photos of family. Her sculpture collections are half pine cones, which is at once disappointingly unexotic and charming, she loves pinecones. This stuff, however, is not her, and I am aware of the foolish grasping that could transpire should I choose to associate the things for her body. The Moroccan sculptures, the paintings from Larry, her late youngest son, the NASA posters which lined her walls and ceilings. I’m collecting them for still life paintings and collages, but I understand that I could find more interesting stuff in a good thrift store, and it’s being a little bit poor now that motivates me to paint these rather than a good ceramic piece that would look right done in oils in the tradition of William Nicholson. No, these bits and bobs for utter lack of a better term are loaded insofar as they have come easily to me, and it’s not wise to exhaust energies in the setup. It’s good to take it as it comes, no greener pastures. So I’ll paint my Grammy’s stuff, but happily divorced from notions of meaningfulness or true love. 

Speaking of true love, Frances got bored with dealing with me. I applied to some grad schools but I probably won’t go even if I get in. I was stressed out. I ignored her for two weeks straight, calls and texts. I was feeling on call and the conversations didn’t usually work out well. I’d introduced insecurities by kind of asking for the relationship to open up. I was strategically throwing little wrenches in the gears, sabotaging our closeness. I was teasing at the threads, for a break, while still being nice when it counted. I realized this counts as grooming and as gaslighting, so I felt bad. Ignoring her was the only thing I wanted to do I guess. 

She ended up texting my mom and brokering the breakup through her. I kind of like that actually. I still like Frances, especially because the breakup has seemed to have gone well, but there’s only one thing I’m passionate about, and that’s painting; and anything else is kind of like a game and at its worst a distraction. It’s rude to say this to someone’s face, because it’s not personal, and never solicited, but it is generally useful to know and I’m happy to have discovered that a good way to put a stop to the song and dance of commitment-to-distraction is to ignore it until you meet on the next plane down. I’m thrilled to continue to call Frances one of my best friends. I talked with her yesterday about art. I hope we can stay close forever. Now I feel like I’m gaslighting in my own diary egads. 

Living with my parents has been tempered by my side jobs. I had one side job where I went to Jacksonville to pick up Shaun Thurston so we could go camping together in Georgia. When we pulled up, there were two girls from Quebec unloading their van, so when we got out of the car I cooed to them in sweet song, ‘bonjour’, and they replied laughing ‘bonjour’. We stayed for three nights. It was clear Shaun needed this, as he admitted frequently. The Hostel In The Woods, it was called, and we paid a hundred bucks apiece. We slept in a treehouse with two plywood walls and two screens ones. We, throughout. the day learned to get in where we fit in, raking leaves and chopping wood. Periodically we would cross paths with the French Canadian girls and get intertwined for a few hours. They left after the second day or their rubber-tramping adventure through the southeast. Everything was sweet about them, and I remarked from my heart how that was the best relationship I’d ever had. I loved them and they loved us, and we loved them, and there was nothing not to love, and Shaun loved them, and they were both cute and lovely. I swam in the lake for one of them, while she and Shaun talked on the shore. 
Shaun and I left the next day, or the one after. It rained so hard one night, that we transplanted and slept in the library- a geodesic structure without flooding problems. The next morning Shaun and I both got on projects that resulted from the storm. A guy named Mark and I got on a broken screen door, and Shaun got on fixing a length of boardwalk that had been broken from a fallen tree. Mealtimes at night upon not working from the outside perspective might’ve seemed masturbatory, there was a circle of gratitude which elicited elations of the dirt and the heartsong from the garden, but after a days work out there, it was easy to stridently relay ones own gratitude for muscles and tendons, those which you noticed through the beautiful work, unanticipated but welcome, in the beautiful heart full day. 

A father and son came to commemorate their late mother and wife’s death, she who had loved this place in the woods. The energy changed, as Shaun pointed out to me. They brought booze and weed, and it became broey, and the co-providers became ‘hippy-chicks’, which is not to put down our two guy guests, for they were high level hippy guys, but there was a change. Shaun seemed half-baked, not quite done with his orbit, but our initial plan had reached its fulfillment, even though I could tell he was flirting with staying another day, I don’t believe it would have helped him nor I, as the hard deadline would loom over us as the soft one had not. Quick and painless, that’s the way it is anyway. 

I went to Tallahassee on this sojourn too, to start a mural for an old MMA gym I’d painted for since I was in early college in that same town. Since the owner had moved locations, he requested I paint in the new one. I painted through the nights, as to avoid his Jiu Jitsu classes. The motif was a dragon poised for a fight, among the words ‘Jiu-Jitsu’. I didn’t finish before I was called to deliver paint to Tampa for my friend Cosby and Sarah’s mural festival wall. It was offered to me by them that since I was delivering the paint on short notice, I could share their wall with them. I had already tried to get a wall with the festival but was turned down. I delivered the paint, but it became clear that if I were to share their wall, we would make a camel (horse designed by committee) type of thing, and it wouldn’t be useful to any of us professionally. I felt slighted by the guy putting the festival on because he had rejected me before, and then when I came down rejected me again, and I knew he had blank walls, but he was holding out, and shifting artists around that had terrible talent, and I became mentally frustrated and began to spiral. I ate dinner with Cosby and Sarah at a Vegan place I couldn’t afford, and this was another demerit, the last stitch. I desperately tried to draw thumbnails that Cosby liked so we could start a wall together, or that I could get one alone, but Cosby’s brain was mush from jet lag because he’d just flown in from Spain. I folded and we transferred the paint, and I left town. 

Back in Crystal River, I resumed my day-labor jobs. I’d already painted all of my parent’s exterior house. I was now working on their neighbor’s house, more exterior work, and grandma Donna’s house, interior work. I had my hands full anyway, didn’t need a half-and-half mural again with Cosby and Sarah- this time in Tampa (last time was in Atlantic City). 

My professional persona is that of Rasputin. I’ve made sure through schooling that I have mystic powers and a large member; but no-one wants to do business with someone who can screw them hard, and it’s a rude game to do polemics while someone else is trying to advance their careers, say by having a mural fest. 

After Tampa Cosby and Sarah came through Crystal River. I offered them $20/hour for help with these painting projects. I wanted to move on with my life, and I had too much on my plate already, Florida-wise. All of the house painting got done.

I inherited the car, Grammy’s little red car. I can’t afford it, but my parent’s said they would help until I could take it on fully. I’m going to take it up to Philly, where I’ll have to pay for parking and insurance and gas and maintenance. I’m going to need a job. I really look forward to getting a job. I hope I can get a job. I really want to get a job at Sherwin Williams. I could even drive for them. I could drive to work and drive for them, but my goal is to work at the counter, mixing paint and learning about the different properties of paints and thinners, and tools, chatting with professionals and hanging out with color swatches, and learning them, and having income and an in store coffee maker, and a place to think, and time to think and draw and learn. 

I’m in Tallahassee now. I came back to finish up that mural in the gym. I’m so tired. I got through another fever last week. It’s been between going to trips out to Titusville to clean out Grammy’s house and house painting work. I’m getting a little, and I mean very little painting done on my own time. I slept in the MMA gym last night in my hoodie and shorts and socks. I used a two inch training mat as my blanket. It requires a nocturnal schedule to paint this mural, but last night I slept. It’s so overwhelming. 

On my way out of my parent’s house I wrote an entry into their guestbook, talking about how our relationship is informed by economy to a regrettable extent, and how my worth to them is measured in labor I can provide, mediated by money. I, for example didn’t get to tell them anything about my trip to England. They asked how was it, with the TV on, blaring sounds which I detested, and I spoke in a small two-second valley of silence in between diction from a newscaster and said “yeah, it was really good”. Then I tried to extend it, by saying “I wanna talk about it later”, but the newscaster had begun to speak again, and it didn’t matter anyway. No matter how much my parents can relay to me that I am useful to them, and they do, by words and money, thanking me for helping out with Grammy, (I gave her insulin shots for a couple weeks, and moved her stuff around and helped with logistics, bank accounts and all that), they lack the tools to begin to address me as an an emotionally active person. And I have my shell, and they have theirs, too, compounding the problem of ever crossing the impasse. I’m glad I have painting, painting is my parents and partner, and sometimes I can meet people through the objects I create, meet them on the other side of my shell. 


To go into Freud a little, if the Ego is the callous developed by the ID rubbing against the world, then the painted surface is the physical ego. Meet me on the other side of the callous.  


Tuesday, November 12, 2019

Leaving Bath

We left off in Bath. I canceled into a hostel with a crew who like to get high and philosophize. I didn’t smoke weed with them, but got into drinking three bottles of beer each evening. My business in Bath was to see the Roman site, the feature that earned the town it’s UNESCO heritage status, (which was almost revoked in 2006 because of the town developers turning the entire center city into some gaudy shopping mall), and to get out of the rain and gather my thoughts. 

I spent three days there. Visiting the Baths I got a sense of the British lineage, as I watched modern toddler tending fingers irreverently rub the noses of Roman statuary. 

I took two walks daily. The canal around Bath was more romantic than the River Avon, but the city was moored down by that mall in the middle; it just wasn’t charming. 


I bought a Russkie flap hat and some gloves before leaving for Wales.